The contemporary is inevitably the result of what has been done previously and it is this constant flow of humanity’s artistic history to mostly  fascinate Mariconti, free of limitations and labels.

In the center of the room, the sculpture of Neuma I is exposed, realised in bronze lost wax at the Fonderia Allanconi, a peculiar place with 450 years old ancient tradition. Metallurgy and science of metals’ transformation, have been gigantic discoveries for the history of arts. In Val Camonica they define the passage from the stone age to the copper one. The bronze is an alloy between tin and copper, two of the most precious minerals, that in order to be used needs to boil at 1200° celsius, then dropped into the “mouth” of the receiving sculpture. What defines Mariconti’s artistic approach is the investigation of this primordial science, by interfering with it, breaking it, re-elaborating it in a contemporary way while adding interruptions in the bronze fusion’s free fall.
“Neuma” is the proto-note, when humanity didn’t know what musical composition was and gave this name to those sound particles coming out the singing voice. Etymologically Neuma is bonded to the concept of breath, with a clear accent on human’s voice.The series of portraits exposed in the gallery’s back room confirms, as humanistic approach, the central position of the individual in both his role of demiurge and receiver of the ghost code, a sort of representation of the full body of the history of arts.

Well known  in the Italian art scene for his pictorial and compositional technique, Mariconti realizes his paintings with sapient personalized mixture, recept developed during the years by mixing oil colors, vegetal extracts, ashes, earth, carbon oxide and motor oil. By combining masterfully paper and canvas, Mariconti’s paintings reveal surprising textures and cuts, emphasized by the consistency of the materials used in the mixture self and by his brush stroke, gestural and controlled at the same time. The foldings and cuts born out the interaction between the different supports and the presence of subtle graphic elements, place the work of this Italian painter, strong of his classicism of his compositional origins, into the most contemporary and innovative pictorial scene.